![]() They might be someone who can be beneficial to your career but you could also be beneficial to theirs. Such is the prevalence of the industry in LA, you never know who you might bump into when writing at a cafe or going to a party or going to the gym. “In Los Angeles, everyone is a star.” Denzel Washington Not only are you working on your screenplay but you’re soaking in everything around you. You’re not alone in pursuing your goals and nothing happens in a vacuum. This is another benefit of someone moving to LA to become a screenwriter. This isn’t just about networking so much as it is about taking from your environment and giving back. The sunny, hustle and bustle nature of LA is one that could be inspiring for a working or aspiring screenwriter. But doing so requires skill, perseverance and discipline.Įnvision networking online like a physical industry event you’re trying to network at: identify those you want to network with, have a clear strategy, be open, remain confident, endeavour for an equal exchange and try and make it worthwhile whatever the outcome. Yes, you can network from anywhere in the world. Whilst the great thing about screenwriting is that it can be done from anywhere, the all-important networking part is perhaps less flexible. Find the people you want to aim for, create a strategy for approaching them and plan for the potential outcome. So you need to conduct remote networking with the same amount of focus you might in person. Just because the industry is becoming increasingly remote, doesn’t mean it’s becoming any easier to actually get your work in front of the right people. Ask for and get advice from professionals and learn as much as you possibly can.Do multiple drafts and seek script coverage so you’re sending out the strongest possible version of your screenplay.Identify those who are most important and most likely to respond to your emails.Get a premium plan on Linkedin in order to reach out to important people in the business.Join Facebook groups of like-minded people in similar situations.The best way to work harder at remote networking is by getting your work out there in a structured, focused way. So you just might have to work a little harder if there is something stopping you from moving to LA… However, that being said, with such a large population of seasoned professionals still in LA, you’ll likely remain at a disadvantage not being there. Barriers are being broken down year on year. This is of great benefit to anyone who isn’t in LA or can’t move to LA. And so your screenplay dropping through their email inbox and you potentially jumping on a video call will be more of what they expect. They themselves will have moved increasingly online. Now, they might just expect you to be able to jump on a Zoom call at a moment’s notice. Previously, agents, producers or commissioners might have expected you to be within commuting distance from their office. This has affected every industry and film and TV is no different. And this inevitably erodes some of the weight and importance of needing to be in a specific place for your career to thrive. It is no secret that we’re all spending an increasing amount of time working and existing online. That all-important network might not necessarily be as tied to location as much as it once was… However, in the modern age (especially post COVID-19), physical location is becoming less important to working life. This is something that, as a result, increases your chance of success. And just by being there and trying to make connections you inevitably increase your chances of becoming part of this network. It’s where the biggest and most important film network in the world is. So this is the headline reason for moving to LA as a screenwriter. Just the fact that you have many options of where to pitch your ideas is a big reason why screenwriters move to LA to pursue their careers. This, in turn, makes your chances of your work getting discovered that much more likely as well.Įven if you were to pitch your work many times in LA, the chances of someone turning that pitch into a production is much higher too. The chances of you running into someone involved in a TV or movie production in LA is more likely than anywhere else. Whilst movie and TV production is branching out all over the world, Los Angeles is still the film and TV capital (for English speaking work at least). ![]() It’s where your screenplay becomes something tangible that people can collaborate on, talk about and eventually, produce.Īnd let’s be honest, the best place for a screenwriter to network is in Los Angeles, the home of all things movies and TV. Film networking is where you make your work mean something. It can sometimes be a hard truth to learn, but good writing is often only half the battle. One of the most important skills for screenwriters to have is networking.
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